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Chapter Nine
 

The workshop I rented was a twelve-by-twenty space under a loft opening off a narrow alleyway that wound from the Strada d'Allenzo to a side-branch of the Tiber, a trail that had probably been laid out by goats, back before Rome was big enough to call itself a town. The former occupant had been a mechanic of sorts. There were rusty pieces of steam-engine still lying in the corners, a few corroded hand tools resting among the dust-drifts on the sagging wall shelves at one side of the room, odds and ends of bolts and washers and metal shavings trodden into the oil-black, hard-as-concrete dirt floor. The old fellow who leased the premises to me had grumblingly cleared away the worst of the rubbish, and installed a large, battered metal-topped table. This, plus the Moebius coil, which I had bribed the Keeper of the Flame into letting me borrow, and the journals, constituted my lab equipment. Not much to start moving worlds with—but still, a start.

Olivia had gotten us rooms nearby, cheaper and better quarters than the Albergo Romulus. There was a small hot plate in her room, charcoal-fired; we agreed to husband our meager funds by having two meals a day in, and the other at one of the small neighborhood pasta palaces where the carafes of wine were put on the table as automatically as salt and pepper back home.

I started my research program by reading straight through all five journals, most of which were devoted to bitter comments on the current political situation—the capital had just been moved to Rome from Florence, and it was driving prices up—notes on some seemingly pointless researches into magnetism, the details of a rather complicated but strictly Platonic affair with a Signora C., and worried budgetary computations that enlisted my fullest sympathy.

Only in the last volume did I start to strike interesting passages—the first, tentative hints of the Big Secret. Maxoni had been experimenting with coils; winding them, passing various types and amounts of electric current through them, and attempting to detect results. If he'd known more modern physics, he'd never have bothered, but in his ignorance, he persevered. Like Edison trying everything from horsehair to bamboo splints as filaments for his incandescent bulb, Maxoni doggedly tried, tested, noted results, and tried again. It was the purest of pure research. He didn't know what he was looking for—and when he found it, he didn't know what it was—at least not in this world. Of course, there had been no Cocini here. I didn't know what the latter's role had been back in the Zero-zero world line. It would be an interesting piece of reading for me when I got back—if I got back—if there were any place to get back to—

I let that line of thought die. It wasn't getting me anywhere. The last volume of the journal yielded up its secrets, such as they were—a few scattered and fragmentary mentions of the coil-winding, and a line or two regarding strange manifestations obtained with the goldleaf electroscope when certain trickle currents were used.

A week had gone by, and I was ready to start the experimental phase. There were a few electrical supply houses in the city, mostly purveyors to the Universities and research institutes; electricity was far from the Reddy Kilowatt state in this world. I laid in a variety of storage batteries, oscillators, coils, condensers, vacuum tubes as big and clumsy as milk bottles, plus whatever else looked potentially useful. Then, at Olivia's suggestion, I let her mesmerize me, take notes as I repeated everything my subconscious had retained of the training I'd had in Net Shuttle technology—which turned out to be twice as valuable as Maxoni's notes.

They were pleasant days. I rose early, joined Olivia for breakfast, walked the two blocks to the shop, and toiled until lunch, recording my results in a book not much different from the ones Maxoni had used a century earlier. This was not a world of rapid change.

Olivia would come by at noon or a little after, looking fresh and cool, and healthier now, with the Roman sun giving her face the color it had lacked back in Harrow. The basket on her arm would produce sandwiches, pizzas, fruit, a bottle of wine. I had a couple of chairs by this time, and we'd spread our lunch on the corner of my formidable workbench, with the enigmatic bulk of the coil lying before us like some jealous idol in need of placating.

Then an afternoon of cut and fit and note, with curious passerby pausing at the open door to look in and offer polite greetings and shy questionings. By the time a month had passed, I was deferred to by all the local denizens as a mad foreigner with more than a suggestion of sorcerer about him. But they were friendly, often dropping off a casual gift of a bottle or a salami or a wedge of pungent cheese, with a flourish of Roman compliments. Each evening, by the time the sun had dropped behind the crooked skyline across the way, and the shop had faded into deep shadow hardly relieved by the single feeble lamp I had strung up, my eyes would be blurring, my head ringing, my legs aching from the hours of standing hunched over the table. I would solemnly close the door, attach the heavy padlock, ignoring the fact that the door was nothing but a few thin boards hung from a pair of rusted hinges held in place by bent nails. Then walk home past the shops and stalls, their owners busy closing up now, up the stairs to the flat for a quick bath in the rust-stained tub down the hall, then out with Olivia to the evening's treat. Sitting at the wobbly tables on the tile floors, often on a narrow terrace crowded beside a busy street, we talked, watched the people and the night sky, then went back to part at the flat door—she to her room, I to mine. It was a curious relationship, perhaps—though at the time, it seemed perfectly natural. We were co-conspirators, engaged in a strange quest, half-detectives, half researchers, set apart from the noisy, workaday crowd all around us by the fantastic nature of the wildly impractical quest we were embarked on. She, for reasons of romantic fulfillment, and I, driven by a compulsion to tear through the intangible prison walls that had been dropped around me.

My estimate of Olivia's age had been steadily revised downward. At first, in the initial shock of seeing Mother Goodwill unmasked, I had mentally assigned her a virginal fortyishness. Later, bedizened in her harlot's finery—and enjoying every minute of the masquerade—she had seemed younger; perhaps thirty-five, I had decided. Now, with the paint scrubbed away, her hair cut and worn in a casual Roman style, her complexion warm and glowing from the sun and the walks, her figure as fine as ever in the neat, inexpensive clothes she had bought in the modest shops near our flat, I realized with a start one day, watching her scatter bread crumbs for the pigeons behind the shop and laughing at their clumsy waddle, that she was no more than in her middle twenties.

She looked up and caught me staring at her.

"You're a beautiful girl, Olivia," I said—in a wondering tone, I'm afraid. "What ever got you off on that Mombi kick?"

She looked startled, then smiled—a merrier expression than the Lady Sad-eyes look she used to favor.

"You've guessed it," she said, sounding mischievous. "The old witch in the Sorceress of Oz—" 

"Yes, but why?"

"I told you: my business. Who'd patronize a Wise Woman without warts on her chin?"

"Sure—but why haven't you married?" I started to deliver the old saw about there being plenty of nice young men, but the look on her face saved me from that banality.

"Okay, none of my business," I said quickly. "I didn't mean to get personal, Olivia. . . " I trailed off, and we finished our walk in a silence which, if not grim, was certainly far from companionable.

Three weeks more, and I had assembled a formidable compilation of data—enough, I told Olivia when she came to the shop at ten PM to see what had kept me, to warrant starting construction of the secondary circuits—the portion of the shuttle mechanism with which I was most familiar.

"The big job," I said, "was to calibrate the coil—find out what kind of power supply it called for, what sort of field strength it developed. That part's done. Now all I have to do is set up the amplifying and focusing apparatus—"

"You make it sound so simple, Brion—and so safe."

"I'm trying to convince myself," I admitted. "It's a long way from simple. It's a matter of trying to equate a complicated assemblage of intangible forces; a little bit like balancing a teacup on a stream of water, except that I have a couple of dozen teacups, and a whole fire department's worth of waterworks—and if I threw full power to the thing without the proper controls. . . "

"Then what?"

"Then I'd set up an irreversible cataclysm—of any one of a hundred possible varieties. A titanic explosion, that keeps on exploding: an uncontrolled eruption of matter from another continuum, like a volcano pouring out of the heart of a sun—or maybe an energy drain like Niagara, that would suck the heat away from this spot, freeze the city solid in a matter of minutes, put the whole planet under an ice cap in a month. Or—"

"'Tis sufficient. I understand. These are fearsome forces you toy with, Brion."

"Don't worry—I won't pour the power into it until I know what I'm doing. There are ways of setting up auto-timed cutoffs for any test I run—and I'll be using trickle power for a long time yet. The disasters that made the Blight, happened because the Maxonis and Cocinis of those other A-lines weren't forewarned. They set her up and let her rip. The door to Hell has well-oiled hinges."

"How long—before you'll finish?"

"A few days. There isn't a hell of a lot to the shuttle. I'll build a simple box—out of pine slabs, if I have to—just something to keep me and the mechanism together. It'll be a big, clumsy setup, of course—not compact like the Imperial models—but it'll get me there, as long as the power flows. The drain isn't very great. A stack of these six volt cells will give me all the juice I need to get me home."

"And if the Xonijeel were right," she said softly, "if the world you seek lies not where you expect—what then?"

"Then I'll run out of steam and drop into the Blight, and that'll be the end of another nut," I said harshly. "And a good thing too—if I imagined the whole Imperium—"

"I know you didn't, Brion. But if, somehow, something has. . .  gone wrong. . . "

"I'll worry about that when I get to it," I cut her off. I'd been plowing along, wrapping myself up in my occupational therapy. I wasn't ready yet to think about the thousand gloomy possibilities I'd have to face when I stepped into my crude makeshift and threw the switch.

It was three evenings later, and Olivia and I were sitting at a window table in one of our regular haunts, having a small glass of wine and listening to the gentle night sounds of a city without neon or internal combustion. She'd been coming by the shop for me every evening lately; a habit that I found myself looking forward to.

"It won't be long now," I told her. "You saw the box. Just bolted together out of wood, but good enough. The coil's installed. Tomorrow I'll lay out my control circuitry—"

"Brion. . . " her fingers were on my arm. "Look there!"

I twisted, caught a fleeting glimpse of a tall, dark figure in a long, full-skirted coat with the collar turned up, pushing past through the sparse pedestrian traffic.

"It was—him!" Olivia's voice was tight with strain.

"All right, maybe it was," I said soothingly. "Take it easy, girl. How sure are you—"

"I'm sure, Brion! The same terrible, dark face, the beard—"

"There are plenty of bearded men in Rome, Olivia—"

"We have to go—quickly!" She started to get up. I caught her hand, pulled her gently back.

"No use panicking. Did he see us?"

"I—think—I'm not sure," she finished. "I saw him, and turned my face away, but—"

"If he's seen us—if he is our boy—running won't help. If he didn't see us, he won't be back."

"But if we hurried, Brion—we need not even stop at the flat to get our things! We can catch the train, be miles from Rome by daylight—"

"If we've been trailed here, we can be trailed to the next town. Besides which, there's the little matter of my shuttle. It's nearly done. Another day's work and a few tests—"

"Of what avail's the shuttle if they take you, Brion?"

I patted her hand. "Why should anyone want to take me? I was dumped here to get rid of me—"

"Brion, think you I'm some village goose to be coddled with this talk? We must act—now!"

I chewed my lip and thought about it. Olivia wasn't being soothed by my bland talk—any more than I was. I didn't know what kind of follow-up the Xonijeelian Web Police did on their deportees, but it was a cinch they wouldn't look kindly on my little home workshop project. The idea of planting me here had been to take me out of circulation. They'd back their play; Olivia was right about that. . . 

"All right." I got to my feet, dropped a coin on the table. Out in the street, I patted her hand.

"Now, you run along home, Olivia. I'll do a little snooping, just to satisfy myself that everything's okay. Then—"

"No. I'll stay with you."

"That's silly," I said. "If there is any rough stuff, you think I want you mixed up in it? Not that there will be. . . "

"You have some madcap scheme in mind, Brion. What is it? Will you go back to the workshop?"

"I just want to check to make sure nobody's tampered with the shuttle."

Her face looked pale in the light of the carbide lamp at the corner.

"You think by hasty work to finish it—to risk your life—"

"I won't take any risks, Olivia—but I'm damned if I'm going to be stopped when I'm this close."

"You'll need help. I'm not unclever in such matters."

I shook my head. "Stay clear of this, Olivia. I'm the one they're interested in, but you could get hurt—"

"How close are you to finishing your work?"

"A few hours. Then some tests—"

"Then we'd best be starting. I sense danger close by this night. 'Twill not be long ere they close their noose."

I hesitated for just a moment, then took her hand. "I don't know what I've done to earn such loyalty," I said. "Come on, we've got work to do."

We went to the flat first, turned on lights, made coffee. Then, with the rooms darkened, took the back stairs, eased out into the cobbled alley. Half an hour later, after a circuitous trip which avoided main streets and well-lit corners, we reached the shop, slipped inside. Everything looked just as I'd left it an hour earlier: the six-foot-square box, its sides half-slabbed up with boards, the coil mounted at the center of the plank floor, the bright wire of my half-completed control circuits gleaming in the gloom. I lit a lamp, and we started to work.

Olivia was more than clever with her hands. I showed her just once how to attach wire to an insulator; from then on she was better at it than I was. The batteries required a mounting box; I nailed a crude frame together, fitted the cells in place, wired up a switch, made connections. Every half hour or so, Olivia would slip outside, make a quick reconnaissance—not that it would have helped much to discover any spy sneaking up on us. I couldn't quite deduce the pattern of their tactics—if any. If we had been spotted, surely the shop was under surveillance. Maybe they were just letting me finish before they closed in. Perhaps they were curious as to whether it was possible to do what I was trying to do with the materials and technology at hand. . . 

It was well after midnight when we finished. I made a final connection, ran a couple of circuit checks. If my research had been accurate, and my recollection of M-C theory correct, the thing should work. . . 

"It looks so. . .  fragile, Brion." Olivia's eyes were dark in the dim light. My own eyeballs felt as though they'd been rolled in emery dust.

"It's fragile—but a moving shuttle is immune to any external influence. It's enclosed in a field that holds the air in, and everything else out. And it doesn't linger long enough in any one A-line for the external temperature or vacuum or what have you to affect it."

"Brion!" She took my arm fiercely. "Stay here! Risk not this frail device! 'Tis not too late to flee! Let the evil men search in vain! Somewhere we'll find a cottage, in some hamlet far from this scheming. . . "

My expression told her she wasn't reaching me. She stared into my eyes for a moment, then let her hand fall and stepped back.

"I was a fool to mingle dreams with drab reality," she said harshly. I saw her shoulders slump, the life go from her face. Almost, it was Mother Goodwill who stood before me.

"Olivia," I said harshly. "For God's sake—"

There was a sound from the door. I saw it tremble, and jumped for the light, flipped it off. In the silence, a foot grated on bricks. There was a sound of rusty hinges, and a lesser darkness widened as the door slid back. A tall, dark silhouette appeared in the opening.

"Bayard!" a voice said sharply in the darkness—an unmistakably Xonijeelian voice. I moved along the wall. The figure advanced. There was a crowbar somewhere near the door. I crouched, trying to will myself invisible, reached—and my fingers closed around the cold, rust-scaled metal. The intruder was two yards away now. I straightened, raised the heavy bar. He took another step, and I jumped, slammed the bar down solidly across the back of his head, saw a hat fly as he stumbled and fell on his face with a heavy crash.

"Brion!" Olivia shrieked.

"It's all right!" I tossed the bar aside, reached for her, put my arms around her.

"You have to understand, Olivia," I rasped. "There's more at stake here than anyone's dream. This is something I have to do. You have your life ahead. Live it—and forget me!"

"Let me go with you, Brion," she moaned.

"You know I can't. Too dangerous—and you'd halve my chances of finding the Zero-zero line before the air gives out." I thrust my wallet into her cloak pocket. "I have to go now." I pushed her gently from me.

"Almost. . .  I hope it fails," Olivia's voice came through the dark. I went to the shuttle, lit the carbide running light, reached in and flipped the warm-up switch. From the shadows, I heard a groan from the creature I had stunned.

"You'd better go now, Olivia," I called. "Get as far away as you can. Go to Louisiana, start over—forget the Mother Goodwill routine. . . "

The hum was building now—the song of the tortured molecules as the field built, twisting space, warping time, creating its tiny bubble of impossible tension in the massive fabric of reality.

"Goodbye, Olivia. . . " I climbed inside the fragile box, peered at the makeshift panel. The field strength meter told me that the time had come. I grasped the drive lever and threw it in.

 

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Framed