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Benny Comes Home

Written by Esther Friesner
Illustrated by Apis Teicher

"Crazy, that's what she is," Gertrude Rosenfeld (née Gratz) told everyone on the IRT local. She couldn't help it: Like all the Gratz women, she was possessed of an internal amplification system that was the bane of librarians, movie theatre ushers, and sermonizing rabbis everywhere. "My poor sister, she's gone out of her mind. It has to be. There's no other reason for her to be doing something like this. I don't know where to hide my head from shame."

 

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"Why, Ma?" Crammed onto the wickerwork seat between his mother's ample, apple blossom-scented flesh and his father's slumped bulk, little Oscar Rosenfeld looked up eagerly from his Detective comic book. He had just turned eleven, old enough to realize that the adventures of the Batman were pretty good entertainment for a dime, but this was better. "What's to be ashamed of?"

Heaven knew he wasn't ashamed by the prospect of having a madwoman for an aunt. On the contrary, he found the possibility rather stimulating. If Tanteh Rifka was crazy, maybe this Cousins' Club meeting wasn't going to be so boring after all. The Joker was crazy, and he was a criminal mastermind. To Oscar's way of thinking, Tanteh Rifka already resembled the Joker insofar as her over-generous application of red lipstick and pallid pancake makeup, to say nothing of her rather gaudy taste in clothes. All she needed was to dye her hair emerald green to complete the picture and then could fabulous jewel theft be too far behind?

"'What's to be ashamed of?'" his mother echoed. "'What's to be ashamed of' he asks? Is this what they teach them in the schools these days, that it's nothing to be ashamed of, having a crazy person in the family?"

"Sha, Gertie, sha." Gertrude's husband Abe spoke with the flat, weary air of a man who knows he has already lost the battle, the war, and the writing of the history books afterwards. "He's only a boy, he doesn't know what he's talking about. Let it go."

The Statue of Liberty would turn butterfingers and drop her torch before Gertrude Rosenfeld would let go of an argument. "This is how you talk to your wife among people?" she demanded. "This is how you teach the boy he should respect his mother? By undermining my authority? Oh, it's easy for you; you don't have a sister who's gone crazy!" Her voice broke and cataracts of tears drenched her cheeks. Mrs. Rosenfeld's command of strategic waterworks was deadly.

"Gertie, Gertie, don't." There was a note of genuine panic in Abe's voice. Twenty years of marriage had taught him that his blushing bride had absolutely no qualms about making scenes in public. Scenes? Whole dramas. Grand operas, yet! He still woke up in a cold sweat from dreams of her famous production, You Want I Should Do WHAT in the Bedroom, You Pervert?! which had debuted on their honeymoon, in the lobby of Kutscher's resort, to Standing Room Only and thunderous critical acclaim.

Abe crammed his huge white handkerchief into Gertie's hands. "Shhh, shhh, stop crying, forget I said anything. And you—!" He rounded on Oscar. "Who asked for your opinion, you little pisher? If your mama says there's something to be ashamed of, you be ashamed!"

"Abie, don't yell at the boy!" Gertrude exclaimed. Her eyes went from flood to flint in an instant. She gathered her son to her bosom, nearly smothering him in the process, and glared fleischig daggers at her husband. "Is it his fault that Rifka's crazy? Is it?" And answering her own question before her husband could get a word in edgewise (Why start a precedent?) she declared: "It is not! It's that no-good boy of hers, that Benny's fault, that's who. Like a bitterness in the mouth, he is, eating out his own mother's heart with anguish. Other boys, the war's over in Europe, they come home. But Benny? He stays! For over ten years, he stays. What, Europe's a bargain? Our people couldn't run away fast enough from such a bargain! No wonder Rifka's gone mishuggeh! May God take me from this earth if I ever have to know from such a thing!" On that note, she gave her own son a monitory squeeze and released him from her embrace.

Little Oscar fell back against his father, breathing hard, his face lightly dusted with talcum powder, his comic book a crumpled mess. He was both terrified and elated by his recent ordeal and what it foreshadowed. If Ma was this upset by Tanteh Rifka's supposed madness, the odds were favorable that the rest of the female Gratzes would be likewise all a-flutter. An otherwise tedious evening of family socializing might well be relieved by pyrotechnic outbursts of hoo-hah seldom seen anywhere outside of Greek tragedy.

Plus, there would be herring.

There was herring. There was always herring by the Gratz Cousins' Club. The three immortal immutables—the only sacred Trinity in which that extended clan believed—were Death, Taxes and Herring, with maybe a nice shtik prune danish, for after. The imminence of pickled fish enveloped the Rosenfelds like a supernatural presence almost from the minute they stepped off the train at Flatbush Avenue and walked the three blocks to the apartment building where the former Rifka Gratz—now Strauss—lived with her husband Max.

The Gratz family Cousins' Club met on the third Sunday of every other month because that was the way it had always been from the time that the Gratz brothers, Ludwig and Morris, had brought their families to the goldineh medina of America, back in the 1890s. The procedures and underlying organizational tsimmes governing the Cousins' Club were originally the brainchild of Chaia Gratz (née Siegel), Ludwig's first wife from back in the Old Country. It was she who decreed that the club should convene when it did. ("So we should have less chance of a meeting falling on the High Holydays, and so I shouldn't have to see that farbisenneh sister-in-law of mine more than six times a year, God willing.") It was likewise she who determined that the club should meet only in the afternoons, to give those family members who lived in the farther flung reaches of the New York City area sufficient time to get home at a decent hour. ("You never know what's out there in the dark," she'd say, rolling her eyes meaningly.)

Most important of all, it was she who laid out the plan for rotating the site of club meetings, every household within the family taking its proper turn hosting the event. Only established married couples counted as households. Singles, newlyweds, widows and widowers, and—God forbid!—those who had brought the shame of divorce onto the clan, were all excluded from the rotation.

Although she was not a Gratz by blood, Chaia held an unassailably solid claim to authority within the family: Having borne her Ludwig six little female Gratzes like six pearls, and having set down the rules for the Cousins' Club, she died while bringing forth a seventh child, a boy, thus acquiring that most indisputable prerogative to supremacy, martyrdom-via-male-producing-motherhood. This automatically made her the Gratz equivalent of a saint.

Thus it was that Chaia Gratz achieved her own kind of immortality, her familial decisions continuing to carry weight and to annoy people for better than thirty-five years after her death. It was a legacy more deeply carved into the spirits of her descendants and corollary kin than any of the letters chiseled into the old-fashioned brownstone marker on her grave.

So when (in the Year of Their Lord, 1958) Mrs. Becky "Rifka" Strauss declared that this time the Cousins' Club would meet on Sunday night, it was almost the same as if she'd announced that she would be serving a lovely lobster bisque to go with the ham-and-cheese sandwiches.

As he walked along the sidewalk en route to his recurring date with Destiny and danish, little Oscar contrived to fall back a few paces from his mother in order to tug at his father's sleeve and ask, "Papa? How come Evie doesn't have to come to this?"

Mr. Rosenfeld sighed. "Your sister will be there," he said, speaking as heavily as he walked. Twenty-three years of his wife's delectable, schmaltz-laden cooking had worked their magic, transforming a young man who once resembled Fred Astaire into a replica of Sidney Greenstreet, only not half so nimble. "She had something important to do tonight with her girlfriends—a nice party for the Dreyfus girl, Joanie, she's getting married soon, your sister should only be so lucky already!—but when Tanteh Rifka sprang this last-minute nighttime meeting mishegass on us, Evie had to go first by the girlfriends, then come here all by herself, and at this hour, so your poor mama should drop dead from worry, cholileh!"

While Abe went through several ritual gesticulations to avert Gertrude's imaginary death-by-maternal-anxiety, Oscar set to work parsing his father's words. The results were both disappointing and encouraging, a paradox unworkable anywhere else in the real world except du côté de chez Gratz.

Point the first: Oscar's sister Evie was coming to the Cousins' Club meeting fresh from a bridal shower for Joanie Dreyfus, a young woman who looked like a bundle of throw pillows drenched in vinegar. Everyone at the Cousins' Club meeting must know this beforehand, otherwise Evie's delayed arrival would be sniping-fodder. ("So, Gertie, your daughter's now too good to show up on time like the rest of us? What, Miss Big-shot Career Girl can't afford, maybe, a watch?")

Point the second: In the Gratz family culture, it mattered not how pretty, smart, well-educated, refined, creative, or successfully employed a girl was; if she wasn't married, she was nothing. Worse than nothing: A cipher, a nebbish, a humiliation, a living reproach to her parents and, more specifically, irrefutable proof of her own mother's bitter failure as a woman, a matriarch, and a nag. Evie could stand up at the Cousins' Club meeting and announce "I've just been awarded the Nobel Peace Prize!" only to hear, "And this gets you a husband how?"

Point the third: It was a given that every last female at the Cousins' Club was going to make at least one stinging remark to Evie about her ongoing state of unblessed singleness. This would aggravate Evie. (All the more so because if Evie dared find the gumption to make any sort of retort, it would inevitably be greeted by, "What's wrong with you, you snap at me like that? I only ask how come you're not married yet because I care. By you this is a sin, to care about your own niece/cousin/obscurely related single female family member? Hmph! With a temper like that, no wonder you still can't get a man!")

It was likewise a constant of the universe that every last female at the Cousins' Club would also manage to needle Gertrude about her daughter's lack of matrimonial success long before Evie showed up. This would get Gertrude worked up to such a degree that when Evie finally did arrive, she would be White Sands to her mother's fifty kiloton why-aren't-you-married-yet-you-want-to-kill-your-own-mother-from-shame A-bomb.

Oscar grinned. Some things were even better than herring!

To Gertie's unspoken relief and Oscar's disappointment, no one at the Cousins' Club meeting mentioned Evie or the bridal shower. Was it for this he had endured the inevitable gauntlet of cheek-pinching and kisses? (Oscar swore up and down that after some Cousins' Club meetings he could remove the layers of lipstick from his face with a trowel. The scraped-off goo displayed distinct cosmetological strata, enabling the careful scholar to figure out the order in which Oscar's aunts, great-aunts, cousins, and other female relations had assailed him.)

Aside from being transformed into a walking color-sampler for Helena Rubinstein, Hazel Bishop and Max Factor, Oscar's ears rang painfully with countless cries of "Oy! Look at him! Looksobighe'sgetting!" followed quickly by "K'n ein'horeh! P'too-p'too-p'too!" Who had been the first genius to determine that spitting all over a kid would ward off the Evil Eye? Dripping pints of familial saliva, Oscar bellied up to the buffet and was somewhat placated to see that there was not only herring, but also plates of smoked whitefish, sable, and even—O rapture! O luxury!—lox.

The buffet table chatter centered on repeated declarations that all the platters looked so gorgeous that it would be a pity to touch anything. The Visigoths probably said much the same thing about Rome just before they laid the city waste. Alaric and his hordes had nothing on the Gratz family when confronted by the Seven Hills of Smoked Salmon.

Oscar filled up a plate, then cast about for someplace to sit. This was a toughie. Even the sci-fi comic books he adored could not account for the unearthly, mystifying powers of the Gratzes: Bend the concepts space and time how he might, Oscar simply could not explain how all of his relatives managed to occupy every sofa, armchair, ottoman, rocker, stool, and folding chair in the apartment while at the same time never leaving the buffet.

"Oscar, sweetie, here! Come sit by Tanteh Lillian!" A scarlet-clawed hand waved furiously from the far end of the living room as blinding beams of light reflected off a pair of turquoise-colored, rhinestone-studded, harlequin eyeglasses. Oscar swallowed hard and wondered if he had time to escape into one of the bedrooms before—

Too late. His mother had overheard. "Oscar, don't stand there like a goyisher kop. You don't hear Tanteh Lillian calling you? You want the whole family should think both my children got no manners? Go! Go!" She backed up her words with an encouraging shove between the shoulder blades, a shove so hard that Oscar was surprised not to see her hand protruding from the center of his chest, helping itself to a nice piece lox off his platter.

By the time he made his way across the room, Tanteh Lillian had forgotten all about summoning him to her side. She was deep in deliciously scandalized conversation with her sisters, Gloria and Greta (The girls in that movie-mad branch of the family got off much easier than their brothers, Boris, Lon, Valentino and Chico). Feeling his mother's eagle eye still heavy upon him, Oscar wriggled himself onto the sofa between two of the ladies and tried to eat in peace.

It was not to be. The conversation going on above his head proved to be far more fascinating than any succulent sliver of dead fish, even unto a slice of Leviathan itself: They were talking about Benny.

"—the reason why Rifka changed the meeting time! The only reason."

"Sure, that's what I heard, but why—?"

"Why else? Because she's ashamed. Because she doesn't want any of us to see by the light of day what that ungrateful momzer is doing to his own mother! Because maybe this way she hoped a lot of us wouldn't be able to come by, so she wouldn't have so many witnesses to her disgrace, itshouldn'thappentoadog."

"Momzer? Rifka's boy, he served in the war! He was made a captain, yet!" There followed a gloriously elaborate spate of Yiddish maledictions where the only words Oscar could recognize were Hitler, Nazis, mad dog and burn in Hell.

"Captain, shmaptain." Tanteh Gloria waved away Cousin Benny's commission and multiple Purple Hearts with one sweep of her cocktail-ringed hand. "He's how old and still not married? What, I've got to draw you a picture?"

"Shh! Shh! You want Rifka should maybe hear you and burst a blood vessel?" In the way of the women of her tribe, Tanteh Greta sincerely believed that the best way to stifle Gloria was by shushing her loudly. Luckily for the integrity of Rifka's blood vessels, in a room already throbbing with so many other female Gratzes exercising their concept of "indoor voices," Gloria's remark and Greta's cover-up attempt went largely unnoticed.

Oscar, however, did notice. "What kinda picture, Tanteh Gloria?" he asked. "I mean, I thought it was only bad if girls didn't get married."

The three sisters exchanged a look that spoke volumes, all of them written in the key of Oy. Before they could come up with an answer or—more likely—shove Oscar back in his mother's direction, the unthinkable happened: A hush fell over the Gratz Cousins' Club.

Benny had arrived.

Benny had not arrived alone.

Looking back, Oscar couldn't put his finger on the exact moment that the whispers began. They were simply there, like the brown horsehair sofa under his rump, like the smell of Uncle Max's cigars, like the mustard-and-spinach-patterned wallpaper. They were real whispers, too, not Gratz whispers: whispers fit for a Connecticut country club, whispers proper to an Episcopalian funeral, whispers where you could not hear every word clearly from a distance of ten feet away. It was all very frustrating for Oscar, to say nothing of confusing. For the life of him, he couldn't figure out why his extended family was acting so weird.

Cousins' Club Standard Operating Procedure required that when someone showed up accompanied by a non-family member, the sluice gates opened and the women streamed forward, shrieking and clucking and demanding "So, who's this? When are you two getting married?" No one saw anything pushy or impolitic about the latter question. If you brought someone to Cousins' Club, you wanted to marry them. That, or you wanted to end the affair, and exposing them to the full force of the Gratz women was the coward's way to do it. Either way, it was like the scene in The Jungle Book where Mowgli and the new cubs were displayed for the inspection of the wolf pack, only without old Akeela there to declare "Look well, O Gratzes!"

This time no one moved, no one swept down upon Benny and his escort, no one clamored to know the identity of that charming person in his company nor when the wedding day would be.

How could they? Benny had arrived with another man.

There was something vaguely perturbing about the gentleman in question. Though his pale face, dark eyes and pitch-black hair were commonplace to the Eastern European branches of the Gratz clan, he carried these as no Gratz had ever done, with a disquieting air of the exotic, the forbidden, the . . .goyish. He stood only a little taller than Benny—who at six-foot-one was no slouch in that department, unless he did slouch—yet where Benny was robust and well-muscled, this guy was so thin that he seemed to tower over Tanteh Rifka's son. He wore his suit like a panther's pelt. Benny was no slob, but next to his companion he looked positively scruffy.

And next to his companion he stayed: Stayed, stood, walked, sat down, you name it. They stuck so close to one another that they might as well have been joined at the hip. It was like watching a sister act.

Oscar didn't get it. Sure, if someone showed up at Cousins' Club accompanied by a person of the same sex, no one could fire off the Marriage Cathechism ("So, when—?" "So, where—?" "So, a ring—?" "So small?") but in those cases the relatives would still surge in to make the newcomer welcome and add him or her to the official family fix-up list ("So, you're Benny's friend? Such a good-looking man like you, and not married? Come, you should meet my daughter.") That wasn't happening either.

In all the seething mass of Gratzes, only Oscar stared. To be fair, the boy had a built-in excuse for such impolite behavior: It was the first time he had ever seen his cousin Benny in the flesh. The man had left to serve his country when Oscar was still an infant in arms. Yet to be honest as well as fair, even if Benny had been more familiar to Oscar than a face from a photograph lovingly displayed on Tanteh Rifka's sideboard, his entrance, appearance, escort, and the reactions that these had elicited among the gathered Gratzes still would have made gawking inevitable.

The rest of Oscar's relatives were being incredibly assiduous about not staring, not even casting a casual glance in Benny's direction. If concerted inattention could render a person invisible, Benny would have become a phantom on the spot. Oscar was utterly at sea. Why the silence, then the real whispers, then—hideously unnatural act for any Gratz!—why the deliberate minding of their own business?

Only Tanteh Rifka seemed untouched by the plague of intentional indifference. She alone rushed up to Benny and his friend, threw her arms around her son and embraced him fiercely. "And this must be Kazimir," she said. Her lips curved up in a grimace so taut, so false, so petrified, so downright horrific that green hair or no green hair, in Oscar's eyes Tanteh Rifka had clinched her claim to Jokerhood.

If Benny's friend noticed that the warmth of Rifka's welcome was forced, he gave no sign. Bowing, he raised one of her plump hands to his lips, kissed it, then met her eyes. "My pleasure," he said. His smile was cold and brilliant as a winter's midnight sky.

Oscar heard that low, powerful voice, recognized the foreign accent weighing down every word. He snapped to attention where he sat, idle curiosity sharply changed to intense focus, like a fox terrier suddenly catching wind of a rabbit. The man's pallor mirrored Benny's own, except the lips that had just touched Tanteh Rifka's hand were so red they might have been rouged. His gaze was cold, hypnotic. When Tanteh Rifka urged the two men towards the buffet, Benny ate without relish, like an automaton, but despite a display of succulent foods fit to tempt the prissiest palate, his companion Kazimir did not eat at all. In fact, he showed a positive aversion to the acutely fragrant end of the table that proffered platters of salami, pastrami, tongue, and the garlicky delights of carnatzlach sausage and p'tcha. (He stood in good company as to that lattermost dish: To young Oscar's eyes p'tcha—a redolent, translucent, unnerving concoction of calf's foot jelly—looked like something that a Martian would sneeze.) And he did not drink . . . Manischewitz. Or Dr. Brown's cream soda. Or even a nice glass of tea.

All at once, in a revelation worthy of thunderbolts and Wagnerian crescendos, Oscar knew!

As to what he knew, before he could put down the lox and blurt any word of his epiphany, a thick, stubby finger jammed him in the ribs so hard that it knocked half the breath from his body.

"What, boychik, you never seen a faigeleh before?"

The question as to whether this were the first time Oscar had seen a man's man (in the Oscar Wilde rather than Ernest Hemingway sense of the term) was rendered almost unintelligible by the low, raspy, carton-of-Camels-a-day voice that uttered it. There could be only one source: Bubbeh Gratz.

To speak the name of Bubbeh Gratz was to invoke the ageless power of pure, primal, run-screaming-wet-your-pants terror. She was Bubbeh, not bubbeh: The absolute magnitude of her authority and dominion within the family was more than lower-case letters could bear. She was also Bubbeh only by courtesy, for she was no one's grandmother nor, indeed, mother. Born Louisa Claire (a.k.a. Leah Chaviva) Gratz, she had stayed Louisa Claire Gratz despite the best efforts of the family to drag her down with them into the depths of marital bliss. She had not just proved to be unmarriageable, she had actively fought to stay single with the same zeal she'd brought to all her other battles, whether for workers' unions, women's votes, Colored People's rights, or the re-establishment of a Jewish homeland.

Squat as a trodden toad, with steel-gray hair, steel-gray eyes, steel-rimmed pince-nez spectacles, and a body as white and blobby as a ladleful of mashed potatoes, Bubbeh Gratz was the oldest living member of the family. She wore contention for her crown and wielded spleen for her scepter. It was foretold by one unnamed member of the Gratz tribe whose hand had strayed to the forbidden art of tea-leaf reading that on the day Bubbeh Gratz found anything she did approve of in this world, she would depart for the next. Thus she was assured of unnatural immortality.

Again the short, fat finger rammed the boy's ribcage. "You don't talk back, someone talks to you?" Another jab. Oscar could have sworn he heard his young bones give up a faint, pitiful crack, but pain was immediately engulfed by panic when he noted that he and Bubbeh were the only two people left on the sofa. The assorted aunts had turned terror into transmigration, vanishing from the living room to rematerialize in the safety of the kitchen doorway where they huddled like hens in a thunderstorm. He sat alone, noshing herring with the dragon.

"I—I'm sorry, Bubbeh." Oscar borrowed courage from imagining that he was a hero like the Batman or Tarzan or Flash Gordon, though the Joker, the Leopard Men, and Ming the Merciless all rolled into one were still strictly bush-league next to Bubbeh. "I don't know what that means, faigeleh."

"No?" She tilted her head back, looked down her nose at him and then, without wasting words or one instant's worry about whether the boy's parents wanted him to have the information, she told him. She spoke of the matter casually, as though it were the most natural thing in the world. She didn't even pause in her ongoing task of wrapping up the bounty of her buffet plate in sheet upon sheet of waxed paper and stuffing her cavernous pocketbook with packet after packet of cold cuts and smoked fish. (Whoever hosted the Cousins' Club knew that all the womenfolk came prepared to use purses and coat pockets to cache as many alleged leftovers as they could "Fahlaydah, it shouldn't go to waste." Their hosts budgeted and bought food accordingly.)

Oscar's lower jaw dropped like the parachute ride at Coney Island. "Two guys?" His voice cracked as badly as his rib. "Together? Doing that?" He watched, appalled and fascinated, as Kazimir leaned close to Cousin Benny and whispered something in his ear. Benny nodded dumbly and followed his "friend" down the hall. What might have been a simple request to be shown the toilet became something far more freighted with forbidden meaning as Oscar realized that this was the same hall that led to the bedrooms.

"With each other? Benny and that guy are—?" He shook his head. "You're wrong."

"What, you don't believe me?" Bubbeh dropped yet another parcel of salami into her purse. "Just because it's not something they write about in that science fiction drek you read?"

Now drek—a.k.a. manure, either literal or figurative—was one Yiddish word Oscar knew, though customarily applied by his father to the doings of Senator Joseph McCarthy. This was the first time Oscar had heard it used to describe his favorite reading matter. "It's not drek! It's—it's real good! Educational! It's all about ideas and stuff!"

"Nu, what isn't?" Bubbeh Gratz chuckled. "Educational is what you tell your parents, they shouldn't stop you from reading it. 'Educational . . .' Life is educational, boychik. What you read by science fiction, it's all spaceships, bug-eyed monsters, ray-guns, alien princesses with a pair tsatskehs on them, the poor girls can't hardly stand up straight! It's got nothing to teach you about real life."

For an instant, Oscar had a scary thought: What if Bubbeh Gratz conveyed her dangerously anti-sci-fi attitude to his parents? As the oldest living Gratz, her words would carry more weight than her orthopedic shoes already did. If she that sci-fi was worthless, useless, drek, Ma and Dad might very well believe her and then—

No. No, never, k'n ein'horeh, p'too-p'too-p'too, the accursed outcome did not bear thinking on. Oscar's heart beat faster: Bad enough, what he'd just concluded about Benny and that Kazimir creep, but worse by far the realization that Bubbeh Gratz might cause him to lose the one thing that opened up doorways to the stars in a life that was otherwise circumscribed by school, shul and herring.

"Oh, yeah?" He shouted his defiance full in her face. Fear had made him bold. "Well, if sci-fi's not about real life, how come I'm the only one here who knows the difference between a faigeleh and a vampire?"

 

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Alas for Oscar, he spoke out at the instant when every other conversation in the Strauss apartment hit a coincidental stop. The fateful words echoed through the sudden silence and promptly turned it into something greater than itself: The hush heard 'round the world, the acoustic equivalent of negative space and anti-matter.

The first sound to creep back into the room was a low, thin wail of anguish from Tanteh Rifka. This quickly blossomed into racking sobs. The women swarmed over her like ants on a caramel, jabbering wildly as they dragged her into the kitchen. The men, abandoned, turned their attention to Oscar. Even kindly, torpid Uncle Max was glaring at him.

It was at this moment that the doorbell rang. It rang loudly and repeatedly, each peal longer and more emphatic than the one before, until finally the doorknob turned and Oscar's sister Evie let herself in.

"Hi, everyone," she said. Her face, her entire body was tense; she was clearly bracing herself for the onslaught of questions about her friend Joanie's bridal shower, followed fast by "well-meaning" comments concerning her own ongoing failure to land a husband. There was really no way to calculate the sheer magnitude of the shockwave she experienced upon entering the Cousins' Club venue and finding her unmarried self most unnaturally ignored, even by her own parents.

"Evie!" Oscar broke away from the ring of scowling menfolk and flung himself on his sister with terrifying enthusiasm. "Boy, am I ever glad to see you!"

Evie pried herself free of her little brother's suspiciously eager embrace and held him at arm's length. "Okay, Oscar, what did you do now?"

Little did she know it was a loaded question until it went off in her face. The torrent of explanations from all sides swept her to the brink of insensibility before she fought her way back up the narrative stream, gasped, and managed to ask: "So since when is Cousin Benny a queer vampire?"

The sound of one hand clapping itself to a forehead in exasperation was repeated many times throughout the livingroom. It remained for Bubbeh Gratz to step in as the voice of clarification:

"I said Benny's a faigeleh, him and his friend. This little pisher said he's a vampire."

"I did not!" Oscar's protest flew free in the face of his father's ineffective attempts to shush the lad. "I said Benny's friend was the vampire. I mean, look at him! Look how pale he is, how he's all dressed in black, how he couldn't come here unless it was at night. You gotta watch him drink Benny's blood to prove I'm right or what?"

"I would not suggest waiting for that opportunity." Kazimir stood in the hallway leading from the bedrooms, Benny glued to his side as always. The foreigner's face contorted with distaste. "We heard what was said. I bid you . . . good evening."

He was gone so quickly it seemed as if he'd sprouted wings. Benny uttered a low moan, but when he tried to rush after his friend, Tanteh Rifka suddenly materialized from the kitchen and laid hold of her son with an unyielding grasp.

"Benny, zieskeit, let him go!" she cried. "Such a friend you don't need, believe me!"

"Ma, please," Benny protested. "You've gotta let me go; it'll kill me if you don't."

"Fine, go!" Benny's mother dropped her hold on his arm and clutched her chest. "Better you should tear my heart out and grind it into the dirt than you should listen to me. Who am I to ask you for anything? Only the woman who suffered the tortures of the damned to give birth to you. But go, go! I'm only thankful that with my health I won't be around to suffer your ingratitude much longer." She staggered towards the nearest sofa, alternating sobs with coughing fits and groans.

"Oh my God, I can't take this." Evie rolled her eyes. "I have just sat through that snotty Joanie Dreyfus unwrapping thirty-four identical sets of monogrammed guest towels with nothing to eat but dried-out cucumber sandwiches because Mrs. Dreyfus thinks that's refined, for Lord's sake, and I am not going to have my first chance at a decent meal ruined because Cousin Benny's queer friend had a hissy fit and stomped out. You wait right there with your Ma, Benny; I'll bring back your boyfriend." So saying, Evie was out the door.

Oscar took one look at the remaining family faces surrounding him. If life were a comic book, their eyes would be emitting tiny red lightning bolts, symbolizing the emanation of killer Guilt rays. "I'll help you, Evie!" he yelped, and bolted before anyone could stop him.

He hoped to catch up to his sister on the stairs or at least in the lobby of Tanteh Rifka's building, but it was not meant to be. Evie had a head start and hunger had given her speed. Oscar hit the sidewalk and cast around for some sight of her, to no avail. The Flatbush streets were well lighted with the yellow radiance of streetlamps, none of which revealed his sister's retreating form. On such a warm evening, kids were still out playing potsy, fathers settled world affairs over a pack of Lucky Strikes and a bottle of Coca-Cola, mothers swapped news, recipes, and beaming brags about their perfect children, while grandmothers enthroned on a row of folding chairs sat in awful judgment-without-appeal over the whole neighborhood, but that was all. There was no sign of Evie; there was no sign of Kazimir.

Oscar pondered his options: Go back upstairs and face the collective Wrath of Gratz—with the added likelihood that Bubbeh would seize this opportunity to blame the recent blowup on "that sci-fi drek the boychik reads"—or wander aimlessly around the streets until his absence became so terrifying that when he finally did return to the Strauss apartment, all would be forgiven out of sheer relief to have him back again.

It wasn't a hard choice to make. Oscar jammed his hands into the pockets of his good pants and sauntered off in a random direction, whistling the Davy Crockett theme song. If he knew his kinfolk—and he did, thanks to all those Cousins' Club meetings—being a Lost Child would trump his Troublemaker status into oblivion.

He was halfway to the corner when he heard a sound that set the short hairs on the nape of his neck on end, a plaintive, high-pitched moan that came from the back of a strange passageway between two large apartment buildings. Five concrete steps led down into a tunnel that served the function of an alley. The lone working light bulb cast a weak glow over a clutter of trashcans near the stairs, but left the far end shrouded in shadow.

The moan came again, louder, shuddering through the air. For Oscar, there was no mistaking the voice that had uttered it. He'd swear to its identity on a stack of Detective comics: "Evie? Evie, is that you? What are you doing down there?" No answer came out of the shades. For a moment he paused on the lip of the passageway, unsure of whether to descend into the gloom or run to Tanteh Rifka's apartment for help.

With alacrity worthy of UNIVAC, his young mind blitzed through all the possibilities that might be lurking just beyond the pathetic pool of light, all the consequences that might befall if he didn't do something and do it now. Swiftly he weighed his hopes of getting immediate backup from any of the strangers on the sidewalk. He knew how that would go:

"Who are you . . .? Rifka's nephew? Rifka Strauss, from 3-C?"

"No, Simon, the Strausses live by 5-C."

"I'm telling you, Shayna, it's 3-C, and may God strike me dead if I'm wrong."

"Fine, so I'll be a widow."

"Little boy, does your tanteh Rifka know you're out here like a wild thing, talking nonsense about someone making a big tumult down by where the super keeps the garbage?"

And over this imagined interchange there loomed another image, a gaunt specter of the night—white skin, red lips, arms spread wide like a bat's leathery wings. When those arms closed, they clasped to the monster's bosom that helpless victim of his hideous thirst, Evie. The fantasized Kazimir raised a bloody mouth from his unnatural feast and filled Oscar's head with dreadful, gloating laughter.

That did it. He took a deep breath, clenched his fists, and asked himself What would the Batman do? He knew the answer: Oscar Rosenfeld dove into the darkness.

"Evie! Evie, I'm coming!" As he sped past the row of garbage cans, he caught sight of a godsend: Huddled in the space between two of the cans was a busted-up old orange crate. Oscar paused just long enough to wrench free one of the broken wooden slats, then ran on, couching his improvised stake like a lance, ready to send the vampire to his doom.

"Oh my God, Oscar, what are you doing, running with that sharp thing? You want you should poke your eye out, God forbid?" Like a deus ex Future Jewish Mothers of America, Evie materialized out of the darkness and intercepted her little brother, yanking the slat from his hands and throwing it far away. Behind her, Kazimir observed the whole business with burning crimson eyes.

"Evie, no!" Oscar hollered, lunging for his do-it-yourself vampire-slayer. Again she thwarted him, pulling him back by the shoulders. He stared at her in horror. He'd read the stories: He understood why his own sister had betrayed him. A faint spill of light came from the rear end of the passageway, where lamp-lit single family homes shared backyard space with the big apartment buildings. The soft glow illuminated the young woman's face, her hair—

—her neck.

"He got you!" Oscar stared spellbound at the dark mark on his sister's dainty throat. "You're his slave for all eternity! Ma's gonna plotz!" He began to sniffle, then to sob for his lost sister, the vampire's newest plaything.

"Oscar, why're you crying, a big boy like you?" Evie asked.

"'Cause I'm too late, and he bit you, and now you're gonna become a vampire, and sleep in a coffin by day, and drink the blood of the living by night, and— and—" Abruptly, Oscar's sobs stopped. He took a long, shaky breath, then a closer look at his sister's neck.

"That's no vampire bite," he declared. With dynamism worthy of a young Perry Mason, he leveled an accusatory finger at her. "There's no puncture marks. That's— that's—" He cudgeled his brain for a word he'd learned from some older boys at school—accompanied by salacious winks and snickers—when they spoke of the mysterium tremendum that was Brooklyn Woman.

"—a hickey." The glaring beam from the flashlight in Cousin Benny's fist illuminated Evie's throat, then swept over to engulf Kazimir. "I can't leave you alone for a minute, can I?" he said coldly.

"No matter how much I wish you would, no." The vampire drew back his lips in a grimace that began life as a feral snarl but resolved itself into a sheepish grin. "I keep telling you, Benny: I like girls."

"So do I. We should talk," said a gravelly voice. Bubbeh Gratz shoved Benny aside and lumbered down the concrete steps into the passageway, bearing down upon Oscar, Evie and Kazimir like an othopedically-shod juggernaut. She did not stop until she stood nose-to-shirt-front with the vampire.

"It's a good thing I followed Benny when he handed his poor mama that tumel about going out for a pack cigarettes. For this you need to take a flashlight? Bah. Children. And you." She stabbed her pocketbook sharply into Kazimir's belly. "So the little pisher was right, after all?" She jerked her head at Oscar. "You're a vampire, like out of that sci-fi drek? With the blood-drinking and the coffin-sleeping and the whole undead mishegass?"

Kazimir nodded nervously. In all his years on either side of the grave, he had never encountered anything quite so daunting as Bubbeh Gratz.

That formidable woman now rounded on Evie. "And you," she declared, waving her purse at the trembling maiden. "You aren't gone maybe five minutes from the apartment and already you're making moofkie-foofkie in an alley with this piece of work? What are you, a cat? A bummerke? A Little Miss Round Heels?"

Evie grabbed Bubbeh Gratz's meaty hands. "Please don't tell Ma," she begged. "All I wanted was to talk to Kazimir somewhere away from all the neighborhood yentas, so they shouldn't know about him and Benny being . . . you know."

"Except as I told this lovely girl, Benny and I are not 'you know,'" Kazimir put in.

"Say it again, louder, I don't think they heard you in Far Rockaway," Benny said bitterly. "For this I got away from Ma, Kaz? For you to give me a slap in the face? Again? With my own cousin?"

Evie shushed them both. "I wanted he should come back upstairs, that's all. But then— I don't know what happened, or how it happened so fast or—" She paused, left flummoxed by her own emotions. "There's something about him that's so— so—"

"Sexy?" Bubbeh Gratz gave a lecherous chuckle and nudged the girl with one plump elbow. "Like I can't know that word? I'm through playing the game, but I can still keep score."

Benny descended the concrete steps to join the miniature family reunion in the alleyway. He placed one hand on Evie's shoulder and said, "I know what you mean about Kaz. Why do you think I spent ten years of my life trying to get him to change his mind about me? I hope you never have to know what it's like, Evie, when the love of your life won't even give you a chance to— OW!"

The zetz that Bubbeh Gratz landed on Benny's arm might not have shaken the pillars of heaven, but it probably shook the pillars of Teaneck, New Jersey. "What love? What life? You haven't been paying attention? He says he likes girls,

"So do you," Oscar spoke up. Bubbeh Gratz and the others looked at him as though he'd just proclaimed his vocation for the Catholic priesthood. Oscar responded with a defiant: "Well, that's what you said."

"Like you didn't know, already?" Bubbeh Gratz inquired. The silence that followed was eloquent. "You didn't?" Bubbeh's grizzled eyebrows rose. She looked from Oscar to Evie. "The boychik, okay, him I can see not knowing, but you?" Evie shook her head. "And you, the faigeleh, nothing?"

Benny shrugged helplessly. "No one in the family ever said anything about you liking— about how you never got married because— about you being a—" His voice trailed off.

"Oy." Bubbeh Gratz sighed. "This generation, kasha varnishkes for brains. You don't need to be told things about your family, you big yutz: You just know! Why do you think we have these Cousins' Club meetings? For our health? It's where we come so we can find out all the family things we need to know but no one wants to talk about."

"You mean like about how you're a girl faigeleh?" Oscar asked Bubbeh brightly.

Bubbeh Gratz smiled. "You're a smart boy. Here, have a sourball." She flicked open her purse and gave Oscar a piece of unwrapped hard candy so covered in pocket lint that it looked like a dandelion puff. It was either a reward or revenge.

The furry candy came out of the same purse into which Bubbeh Gratz had been stuffing salami and its pungent kindred all evening. The gust of garlic-laden air released from the purse's depths hit poor Kazimir like a mallet. He groaned, demonstrated that there was a stage of pallor that went beyond the dead-and-bloodless variety, and fainted.

"Oh my God, what do we do now?" Evie cried, kneeling beside the fallen vampire and cradling his head to her bosom.

"First, mamaleh, you stop holding him to your tsatskehs like you want he should take a drink," Bubbeh Gratz said. "Then, we should all go get one."

* * *

Oscar sat in a booth at the back of McNulty's bar making an outline of the Bat Signal out of maraschino cherry stems. The remains of four Shirley Temples stood ranged on the tabletop in front of him. They had all come with extra cherries as a bribe to Oscar's goodwill. It hadn't worked.

"They've got their nerve," he muttered, fiddling with the pattern of scarlet stems. "Turning me into a stupid baby-sitter." He spared a cold glance for his charge, the still-unconscious vampire. "Boy, I wish you could've seen some of the looks we got from the little old ladies in front of Tanteh Rifka's building when Benny walked by with you slung over his shoulder. I thought they were all gonna have a heart attack or something. Wait until they tell his Ma!" Oscar grinned in spite of his displeasure with having been shunted aside to play vampire-tender.

Kazimir was propped up in one corner of the booth, eyes closed, mouth open. He looked like just another drunk, which was exactly how Bubbeh Gratz had introduced him to her old friend, Mr. Cullen McNulty, the establishment's owner/barkeep.

"But a drunk with money," she clarified when that worthy man seemed reluctant to let their group enter his place of business. "You wait until he gets his second wind, and then such drinking you'll see—!"

"It's Sunday," McNulty said. "He's not supposed to be drinking on a Sunday."

"And you're not supposed to be serving on a Sunday, you old gonif," she countered. "But if someone knows you're here today, you pour. It's a public service for the local shikkers, those drunks should have somewhere safe to get a snootful. Now draw us three beers, give the boychik a nice glass of soda pop, and don't make every little thing into a big megillah!"

Before McNulty could voice any further doubts or demurrals, Benny flashed him a twenty and he saw reason. Now, lined up like birds on a telephone wire, Benny, Bubbeh, and Evie sat nursing a trio of beers at the bar while Oscar minded Kazimir in the booth. They were the only people in the place, it being too late for the after-church-drymouth crowd and too early for the real nightowls.

From time to time Oscar caught tantalizing scraps of the bar-side conversation concerning how Benny had first encountered and fallen hard for Kazimir. The amorous thunderbolt struck him in a café in Germany, in the war's aftermath, when the world was still just a little topsy-turvy and strange things had more of a chance to happen.

Oscar strained his ears, hoping to pick up some clue as to why the vampire had not turned Cousin Benny into a meal from the get-go. What was that Benny was saying, over at the bar? He'd taken Kaz up to his hotel room? Why would anyone need to go up to a hotel room just to keep talking? That was weird.

Weirder was yet to come: "—really did just want to talk . . . to listen, I mean . . . about the family. Funny, right?" Benny raised his Pilsner glass in a mock toast. "He was fascinated. All he wanted to do was listen to me tell him all about—"

—the family? Our family? Oscar shook his head. Some things were even more unbelievable than vampires.

And yet, there it was: The few sentence fragments Oscar overheard told how, in his infatuated state, Benny was willing to do anything to keep Kazimir in his company that night. And apparently Kazimir was willing to hold off on drinking Benny's blood if that meant he'd get to hear more about that herring-bearing freak show that was Clan Gratz.

Alas, the dawn was not willing to hold off, and so the vampire found himself thrown into peril of his afterlife, marooned in a cheap hotel room, far from the shelter of his coffin. Having no other recourse, he confessed his true nature to his smitten suitor and threw himself on Benny's mercy.

"—word of honor never to harm me," Benny was saying. "To stay by me and protect me forever, as I protected him that day. Forever . . . or until I told him he was free to go."

"Oh, Benny, how noble!" Evie sighed, casting a fond look back to the booth where Kaz still sat in a garlic coma.

"Oy, Benny, how narrish!" Bubbeh Gratz's sigh was anything but fond. "Other boys, they save coins, stamps, box tops. You save monsters?"

"He's not a monster!" Benny protested.

"By you he's not a monster, but trust me: Someone who doesn't want to shtup him thinks different."

"But I love him! Doesn't that count for something?"

"Unless he loves you back, it counts for bubkes," Bubbeh Gratz replied. "Listen, boychik, maybe by some men, hanging on like a leech finally gets them, but that's not love: That's them shtupping you so you'll stop with the nagging, already. You've got no class, they've got no backbone, a nice bargain! Ten years this one owes you his life and he hasn't let you touch him? Learn, already! You can't make gefilte fish from goulash. Get someone who loves you! But first, take my advice: Get married. Find a nice girl who wants to get a husband, have a kid or two, and then to be left in peace. Give your poor mother grandchildren instead of aggravation. Trust me, once you make with the grandchildren, you can get away with anything in this family."

"Why didn't you take your own advice, then?" Benny demanded.

Bubbeh Gratz grinned. "Because when the egg pops out, it's not the rooster who screams, fershtais?"

"So you want me to get married, have kids, and then find a man who—?" Benny began.

"Hey, get a load of that, guys! Gramma Hettie saw right: Jew-boy's back." A strident voice cut Benny off in mid-sentence and drew all eyes to the doorway of McNulty's. The speaker was a short, boxy man about Benny's age, wearing a cheap suit with the green-on-brown sheen of rancid roast beef. He was attended by a pair of swarthy, lumbering brutes whose forearm hair could have founded a wig-making dynasty. Rumpled trousers and sweat-stained white singlets were their livery and ape-like hooting was their best stab at laughter. Bubbeh Gratz took the trio's measure calmly, but Evie's cheeks went pale.

Benny's face was ashen too, though not with fear. "Carl Dorst," he said between clenched teeth. "Ten years away, and I see you the first night I'm back? Son of a—"

"What's'a matter, Jew-boy, ain't you glad to see me?" Dorst rolled into McNulty's like he owned the place. "Or don't you care about me no more? My gramma Hettie, she told me saw you and your boyfriend come in here. Said you was carrying him. What is he, your war bride? This your honeymoon, ya fag?"

(Thus did Oscar learn that neighborhoods, like families, were full of secrets that were no secret, things known by all and said by none; none except the Carl Dorsts of the world, that is.)

Benny stood up. "If you've got business with me, Carl, let's take it outside."

Dorst showed no sign of wanting to leave the premises. "So you can run? Sure, ain't that just like you kikes: Buncha yellow bastards, always running back to Maaaama." His lip curled. "We missed you here in the neighborhood since you been gone, Benny. Yeah, Jimmy Gannon missed you most of all. You remember Jimmy, don'cha? Pretty Jimmy? The one who didn't go into the army because he was nothing but a goddam—"

"Shut your mouth, Dorst!" McNulty stepped out from behind the bar. "You know damn well that Jimmy didn't go into the army because he had the asthma. Is that why you didn't enlist? Tell me that, if you can! You think I forgot the way you and your goons ganged up on him the last time you was in here, how you busted that poor lad's jaw? Get the hell out of my place! You're not welcome here."

"But kikes and faggots are?" Dorst smirked. Suddenly something sharp glittered in his hand. McNulty saw, and backed away slowly. The dank air in the bar became electric with peril. It was heady stuff, pure catnip to those too young to know better. With all adult eyes on Dorst and his men, no one noticed Oscar slip out of the booth and creep closer for a better view. This beat the heck out of Detective comics!

Like a load of wet-wash hitting the sidewalk from a great height, Bubbeh Gratz slid off her barstool and stood by Benny. "Shame on you, Carl Friedrich Dorst!" she declaimed. "Big man. Always with that mouth, your tongue should only shrivel like a prune. Over thirty years I know you and not once do you give your poor family a minute they could be proud of you! And you've got the gall to call our Benny a coward? You should only be such a coward, you lousy nogoodnik—"

The sound of Dorst's free hand connecting with Bubbeh Gratz's cheek was almost as shocking as the sight of that penny-ante lowlife slapping the old woman. But this was nothing compared to the thunderous report of another hand cracking across Carl Dorst's own ugly mug so hard that he staggered back against one of his loutish hangers-on.

"Don't you dare touch my Bubbeh!" Evie shouted as she raised her hand to give Dorst a second taste of Gratz justice. She wasn't afraid any more.

"Evie, no. They're punks, but they're dangerous." Benny tried to get Evie out of harm's way, but he wasn't fast enough. Dorst gave a curt signal to his goons. They yanked the girl away from Benny before he could react and shoved her at Dorst. He grabbed her by the wrist so hard that she whimpered.

"You want I shouldn't touch your what, Baby?" He leered. "Y'know, you ain't half bad, for a Jew. A little mouthy, a little outa line, but— OW!"

"Let go of my sister!" Oscar yelled. The command was purely for effect: The instant that Oscar's foot connected with Dorst's shin, the neighborhood bully lost his hold on Evie.

There followed one of those instants when the laws of time altered subtly and many things happened at once: A loud clunk echoed through the bar. Mr. McNulty had brought out a baseball bat and dropped it on the bar. He glared at Dorst and his over-muscled crew. Bubbeh Gratz set aside her gargantuan pocketbook in favor of the superior destructive potential of Benny's flashlight. Evie scampered around behind the bar and grabbed a couple of full liquor bottles. She rearmed Benny with one and raised the other by the neck until she looked like the tavern version of a rolling-pin-toting housewife straight out of the funny pages. The Gratzes stood ready to do battle.

Unfortunately, that elastic moment also contained Carl Dorst grabbing Oscar by the neck with one hand and bringing his nasty little jackknife right up against the boy's face with the other. "Whaddaya say, Benny?" he drawled. "Wanna see me give this little heeb a human nose?"

"Try it and die."

A voice old as dust and hollow as an empty tomb filled McNulty's tavern. Carl Dorst and his pet thugs turned to confront the vampire in full hunting mode, arms high and outstretched, hands like claws, pale face contorted with inhuman fury, and red, red lips pulled back to expose keen, glittering, deadly fangs. Even with a knife less than an inch from his right eye, Oscar forgot to be afraid.

Wow, he thought. He needs a cape. Then this would really be something!

Cape or no cape, Kazimir's display of the vampire rampant packed more than enough clout to deal with Dorst and his crew. They took one look, screamed like horror flick sorority girls, and bolted out the back way, leaping the bar and leaving suspicious puddles in the sawdust as they fled.

Kazimir dropped his pose and hurried to Bubbeh Gratz's side. "Are you all right?" he asked, studying her reddened cheek solicitously.

"It'll take more than a patsh from a little snot like Carl Dorst to bother me," she replied. "But just you wait until I tell his bubbeh Hettie what he did, then you'll see something!" She chuckled, relishing the grandmotherly retribution to come.

"Kaz, you were wonderful," Evie cooed, draping herself over the vampire's shoulder like a mink stole. "Would you really have killed them if they'd hurt Oscar?"

Kaz smiled modestly. "In truth, I was relieved that it did not come to that," he said. "I never drink . . . swine."

* * *

In the Strauss apartment, all was well. The initial flurry of familial squawking that attended the return of Benny, Oscar and Evie was quickly swallowed whole by concerted gasps, groans and ultimate glee when Bubbeh Gratz recounted how Kazimir had defended them all in McNulty's. So adept was she at painting a picture of disaster narrowly averted that no one thought to ask what she and the others had been doing in the illicit bar in the first place. She made no bones about the fact that Benny's foreign friend was indeed a creature of the night, for she knew that this was less important to her kin than how he'd given that shtik drek Dorst the bum's rush.

"Nu, Kazimir, it's like Bubbeh says? You're a vampire?" Uncle Max asked affably. And when Kazimir admitted this was so, he added: "And from this, you make a living?"

While Max tried making small talk with the vampire, his wife Rifka was both stunned and overjoyed as her beloved Benny told anyone who would listen that his first order of business, now that he was back in the United States, was to find himself a nice girl and get married.

"A nice, understanding girl," Bubbeh Gratz specified. "One who wants to get married in the worst way." And she sighed.

No sooner had Kazimir managed to excuse himself from Uncle Max's company than Gertrude Rosenfeld cornered him. With little Oscar secured to her bosom by a hammerlock that Haystack Calhoun might envy, she showered tearful blessings on the vampire's head. "How can I ever repay you for saving my children from that momzer? You're a gift, a saint, a blessing! I don't care if you and Benny are . . . friends, from now on, you're like family to me, you hear? Family."

"Mrs. Rosenfeld, you have voiced my dearest dream," Kazimir replied. "This family, this wonderful family of yours has enchanted me from the moment I first heard of you. And while Benny and I are indeed friends, though never . . . friends, there is someone else in your family with whom I would very much like to become . . . friends, and that someone is—"

Gertrude's shriek of horror caused irate neighbors above, below and flanking the Strauss apartment to play Desi Arnaz-style conga drum riffs on the floor, ceiling and walls. "You want you should date my Evie?" she gasped. "My daughter? My little girl? My baby? My infant? My—?"

 

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"Ma, he loves me." Evie spoke up before her mother could reduce her to an embryo. "He told me so on the way back up here. I know we just met, but Kaz and I, we feel that there's something special between us."

"Oh, I know what he wants to feel between you, believe me," Mrs. Rosenfeld countered. She turned on Kazimir. "You want I should let you date my Evie? You should live so long!"

"I think he already has, Ma," Oscar said, fighting free of the maternal stranglehold.

"He's a monster!" Gertrude cried. "He drinks blood! He's dead! He's not even Jewish! He—"

"He wants to marry me," Evie said softly. "He said that on the way back up here too."

Gertrude stopped dead in mid-rant. A smile bloomed across her face. "Mazel tov!" she cried, and buried the vampire in the abyss of her cleavage.

The Cousins' Club burst into congratulations, fortissimo. The Gratzes didn't believe in the Romantic nonsense of love at first sight. Marriage at first sight, though? That was another story. The women swept Evie off in a flash flood of good wishes, with footnotes:

"Evie, mazel tov! So he's monster: You think maybe my Bernie's a saint?"

"You should only live and be well! So he drinks blood: Better that than gin, let me tell you."

"A blessing on your head! So he's dead. Look, you're no spring chicken yourself, and as long as he wants children . . ."

"You should never know from bad things! So he's goyish. Eh. Maybe he'll convert. And as long as you raise the kids Jewish—"

"You could do worse."

Oscar slipped away in the midst of the joyous uproar. He wriggled out of the crush of gabbling female bodies, then skirted the clan males as they took turns welcoming Kazimir into the family with the traditional handshake, cigar, pitying gaze and mournful sigh. He did an end-run around Tanteh Rifka, Bubbeh Gratz and Benny as the ladies talked matchmaking strategy:

"Find one that's been on the market a while," Bubbeh said. "One that's not so much in the looks department, she shouldn't mind when the husband goes out at night so long as he comes home, eventually, and gives her a couple kids and a mink. One that's willing to settle."

"The girl who gets my Benny isn't 'settling' for anything," Tanteh Rifka said huffily.

"Maybe not, but she'll be standing for plenty."

Benny gave Oscar a feeble Help me! look as the boy scooted by, headed for the bedrooms.

Oscar found the refuge he sought in the room where Tanteh Rifka had piled her kinfolks' coats on the bed. The mound wasn't as massive as its wintertime counterpart, but it was still a formidable heap of outerwear. Oscar burrowed into the side of the fabric hill until he found what he was looking for, his much-mangled copy of Detective comics.

He settled down for a good, satisfying, peaceful read, but his anticipation swiftly turned to disenchantment. The Batman's exploits had lost their zing. The Joker's insanity failed to amuse. The whole point of escaping a humdrum life through the portal of fantasy crumbled before his eyes. An abrupt, life-altering revelation left him open-mouthed and appalled: With family like mine, who needs sci-fi?

Oscar wept for lost childhood dreams.

Then he went to eat more herring, and to ask his ma what shtup meant.

* * *

Esther Friesner is the author of several books and the editor of the "Chicks In Chainmail" anthologies.

To read more work by this author, visit the Baen Free Library at: http://www.baen.com/library/

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